Web tour: WQ: Rybczynski affordable housing essay

This wonderfully cogent essay by Witold Rybczynski, author of Home: A Short History of an Idea and The Most Beautiful House in the World among other books, addresses the “vicious circle” which keeps the cost of new housing out of reach for many. Rybczynski targets the availability of buildable “serviced land,” as a root of the problem. He writes, “For the neighbors, requiring large lots has two advantages: It limits the numbers of houses that can be built and, since large lots are more expensive, it ensures that new houses will cost more, which drives up surrounding property values. But reducing development has another, less happy effect: It pushes growth even farther out, thus increasing sprawl. While large-lot zoning is often done in the name of preserving open space and fighting sprawl, in fact it has the opposite effect.” This is why the Smart Growth and New Urbanism movements are calling for change.

Rybczynski continues, “Smaller houses on smaller lots are the logical solution to the problem of affordability, yet density -- and less affluent neighbors -- are precisely what most communities fear most. In the name of fighting sprawl, local zoning boards enact regulations that either require larger lots or restrict development, or both. These strategies decrease the supply -- hence, increase the ­cost -- of developable land. Since builders pass the cost of lots on to buyers, they justify the higher land prices by building larger and more expensive houses -- McMansions. This produces more community resistance, and calls for yet more restrictive regulations. In the process, housing affordability becomes an even more distant chimera.”

Wilson Quarerly link by way of the Boston Chapter of The Congress of Residential Architects

by Katie Hutchison for the House Enthusiast

Design snapshot: New England vernacular tower

If you’ve been to Edgartown on Martha’s Vineyard then you’re probably familiar with the Old Sculpin Gallery. Its quirky, gabled tower was most likely born of necessity. According to the Gallery website, the building has served in its 240-year history as a boat-building shed, sail loft, whale-oil factory, and a grain store. I can imagine all of those uses benefiting from the height the tower affords. The distinctive form, then, may result from the structure's original function. The use of cedar shingles with minimal trim and double-hung windows reflects local building practices that continue today. Now, as a gallery, this former work building welcomes new generations to appreciate its heritage. Rooted in purpose and regional building customs, it’s one of my favorite examples of the New England vernacular.

by Katie Hutchison for the House Enthusiast

Design snapshot: Cottage placemaking

The siting of these simple, little cottages makes them all the more enchanting. Angled obliquely towards one another and within comfortable proximity, they are engaged with each other and the landscape, while also afforded a measure of autonomy. Informal shrubbery provides a touch of privacy for the brick-edged, flagstone patio off the front of the cottage in the foreground. A few steps back or beyond reveals a larger intermediary patio between the cottages where the occupants of each might convene for a barbeque. A weaving, gravel drive connects the cottages and accommodates neighbors passing by. Such thoughtful siting can encourage interaction while acknowledging personal space.

by Katie Hutchison for the House Enthusiast

Design snapshot: Crane Estate landscape from Castle Hill

The view above is to the southwest from the Olmsted-designed original approach to the Great House on the Crane Estate in Ipswich, Mass. The marshlands and distant red structure are glimpsed off to the side as the driveway climbs Castle Hill. This tempting vista is a precursor to the ultimate sweeping Bay view that the Olmsted Brothers intended to be revealed only upon arrival in the Great House. Today, most visitors exit the Great House on this driveway instead of arriving on it and thus miss out on the Olmsteds’ intention. That is, unless they participate in one of the Historic Landscape Tours of Castle Hill offered through The Trustees of Reservations as I did last weekend. Our guide led us up the original approach on foot and shared the story of the dramatic procession as the Olmsted Brothers conceived it. This is but one of the stunning landscapes to be appreciated on the property. The Grand Allee designed by Arthur Shurcliff, and visible from the Great House, may be the most notable, but there are plenty of other gems to be admired as well.

This Saturday will be the last Historic Landscape Tour for the season, but the grounds are open daily year-round for self-guided exploration. On Saturday, October 18 the Crane Wildlife Refuge is inviting visitors to participate in Return to the Island which includes a hike on Choate Island past the c. 1725 Choate House and the Crane’s White Cottage. Reservations are required.

by Katie Hutchison for the House Enthusiast

A Man Named Pearl

Showing at the MFA October 2008

You may have heard of Pearl Fryar. He’s the self-taught topiary artist at the center of the award-winning documentary produced and directed by Scott Galloway and Brent Pierson, now showing at the Museum of Fine Arts.

According to Fryar's Topiary Garden website, twenty years or so ago Pearl Fryar received a three-minute pruning lesson at a local nursery in South Carolina that changed the direction of his life. During off hours away from the can factory where he worked, he began, at nearly fifty years old, to transform his three-acre yard into a topiary garden. He hoped to win a yard-of-the-month award from the Bishopville Iris Club. He did far more. The Garden Conservancy reports that his garden is now known internationally for its fanciful creations that include, at minimum, 35 species shaped into roughly 500 abstractions.

In The Boston Globe review of the documentary, Wesley Morris writes, “Galloway and Pierson smartly pull back a bit to give a sense of Bishopville, a still-segregated town. Fryar seems all the more remarkable for not allowing racism to prohibit his success.” Fryar has become a local hero and inspiration for many. Don’t miss your chance to learn his story and see his art. There are three more showings of the film at the MFA after tonight’s.  Buy the DVD from Amazon.